Had a cup of corn and chicken soup with egg.

I had the goat karhai, which was a hearty red curry stew. Delicious. Ate it with their light, delicious naan bread.

Tandoor, 5718 Evers, right next to Moroccan Bites.

I recently befriended a friendly Frenchman named Fabian Jacob, sommelier of Le Rêve, as we shared a fine bottle of Juan Gil Spanish vino tinto and some Belgian geueze beer at Bunsen Burgers. Long story short, I ended up meeting him and his friend Mark Jones, a food writer at the San Antonio Current, for some fried chicken.

Here’s the link to the story:
Travels with Frenchie: Chicken-fried for the soul.

Chatman’s Chicken
1792 S WW White Rd
San Antonio, TX 78220
(210) 359-0245

These photos were taken by Michael Dominici at a two parties on State Street, not far from LSU’s campus. This was late 1988, I believe. You’ll see such notable luminaries as Chris Robertson, John Arrizza, Rob Cambre, Greg Fuchs, Brett Evans, Valerie Massimi, and yours truly.

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Here she shows off her singer/songwriter skills. “That’s good. Don’t worry about the cat!” will be the meme of the year, mark my words.

Day of the Dead audio in San Antonio

Interview with J.G. Thirlwell, aka Foetus, on WTUL, Tulane University. Pardon the idolatry; I had wanted to meet the man for years. He was really quite gracious to do the interview.

I decided to upgrade the Technics, just to see what all the fuss about this turntable is about. I replaced the entire tonearm assembly, the footers, and added a thick mat and record stabilizer.

New tonearm assembly (I bought these second-hand from a guy via AudioAsylum, and they’re all from KAB:

1. Technics SL-1210 M5G tonearm (which is wired with OFC copper)
2. Tonearm Fluid Damper
3. PC-1200 phono interconnect mount
4. LTD gold wire leads

New feet:

New mat and stablizer:

1. SuperSonic record stabilizer from Herbie’s Audio Lab
2. 1/4″ thick Supermat from KAB

General assembly tips: When taking apart the 1200, you’ll encounter quite a variety of screws. Be sure you remember which goes where when you put the table back together (an empty egg carton is a good way to keep your screws organized). I also downloaded a .pdf of a 1200 repair manual, and referred to that quite a bit.

To remove the tonearm/mount assembly, you have to remove the bottom cover of the table, which is made of rubber. You then remove the second cover, which sits between the rubber and the metal top of the turntable and is made of hard plastic. From there, you just remove the tonearm’s ground screw from the chassis, remove the three screws securing the tonearm mount to the chassis, and drop it out.

You have to keep the turntable upside down to do this. I did this by putting the dust cover on the table, and then resting the dustcover on some of that gray spongey packing material.

(closeups of fluid damper)
(closeups of PC-1200 mount)
(closeups of new feet)
(removing the original arm)
(picture of table with Supermat and SuperSonic stabilizer)
(my Juicy Music Tercel phono preamp, just ’cause it’s so pretty)

OK, OK, so how did it sound?

Whoa, this thing tightened up quite a bit. Pinpoint imaging, tighter bass, and cleaner highs. It easily trounces the Music Hall MMF-5 and Lenco L75 I had for a few years. There’s much more music coming out, but it’s also easier to listen to. And yes, this is all with a mono cartridge.

Granted, I can’t say exactly which part caused which improvement, because I did them all at once. But it was a fun project and well worth it.

You oughta hear how good the Monkees and Sinatra sound in original mono on this thing. Pretty soon I’ll put a stereo cart on it — gotta love those bayonet headshells.

I filmed this with my new iPhone 3GS.